Director’s Cut Director Pre-Production Journal

Summary

The pre-production of this film was mostly communicating with my team and making sure we are all on the same page for the film.

6. Z-Axis (Rack Focus)

7. Directing the Eye

10. Orientation

15. Rectangular

My concept for the film was take the very human struggle of perfectionism and place it in a space that I was familiar with, which is filmmaking. I wanted to make this film to express the theme of failure and its importance in our lives. I want to show that failure isn’t an end, but a new place for us to learn. My target audience for this film is our film class, by placing this story in the filmmaking world, I hope to make it more relatable to my fellow students and more impactful.

Genre / Style of the Film

For this film it is a Dramatic Comedy shot in style of low budget indie films.

I want to have the overall film look very natural and unprocessed to add to the realism and relatability of the film.

Influences from Other Films

Living in Oblivion and The Disaster Artist are both heavy influences for plot as both films are about filmmakers and their struggles.

Sam Raimi is one my favorite directors and I want to use camera movements and angles in similar fashion that he does.

Consultations with the Production Team

Here is me communicating with our screenwriter Nathaniel
My communicating with our editor Henry

Location Scouting

This one the locations we decided on during scouting

Casting Decisions

I have worked with Henry on my past 3 films which he played anger characters in all three, I thought he would be a great fit for the role of the Director which is a very angry character. I thought Gavin would be great fit for the Sound Designer character because he is our sound designer and would understand the character. Nathaniel isn’t a huge fan of acting and doesn’t love doing it, so is a great fit for the Actor role, because the Actor is also not a fan of acting.

Permissions

I spoke to Le Duc and gain has verbal permission to film in the green room.

Scheduling

What I Learned and Problems I Solved

I learned how to balance being both the director and cinematographer, and how to blend the two to make my films unique and my own.

Leave a Reply

Your email address will not be published. Required fields are marked *